Interstices of Shatter

About

Dissonant clusters erupt from prepared piano and modular synthesizers, fractured by extended silences and abrasive noise elements derived from field recordings and found objects. Unconventional timbres emerge through granular synthesis and tape manipulation, with abrupt transitions propelling the listener into a realm of sonic disorientation. Raw, glitchy production emphasizes spatial audio experiments, clocking in at around 160 seconds of unyielding perceptual provocation.