Bahrain Music

Traditional Moroccan Gnawa music is a spiritual genre rooted in sub-Saharan African traditions, preserved by the Gnawa people. It features hypnotic guembri basslines, metallic qraqeb castanets, and tbel drums. The music is central to the lila ritual, using call-and-response chants to induce trance states for healing and spiritual connection with saints and spirits.

Raï is a vibrant Algerian music genre originating from 1920s Oran, fusing Bedouin folk traditions with Western pop, rock, and electronic elements. It features poetic lyrics in Algerian Arabic (Darija) addressing love, social issues, and rebellion, with emotive improvisational vocals, derbouka rhythms, and gasba flutes.

Ghazal is a poetic form consisting of rhyming couplets and a refrain, with each line sharing the same meter. In music, it is a sophisticated genre of semi-classical vocal performance originating from Persian and Arabic traditions, deeply rooted in themes of longing, divine love, and melancholy.

A vibrant Algerian musical genre that originated in Oran, evolving from traditional Bedouin folk music into a globally recognized pop style characterized by its fusion of Maghrebi melodies and modern electronic production.

Hamd is a traditional form of Islamic devotional poetry or song written in praise of God (Allah). It is characterized by deep reverence, spiritual longing, and theological reflection, often performed in a melodic, non-rhythmic or slow-tempo vocal style.

Naat is a form of devotional poetry or song in praise of the Islamic Prophet Muhammad. It is a deeply spiritual genre rooted in Sufi traditions, characterized by its reverent tone, melodic vocal delivery, and focus on the love and virtues of the Prophet.

Sufi music is a devotional genre rooted in Islamic mysticism, characterized by repetitive, hypnotic melodies and rhythmic patterns designed to induce a state of spiritual ecstasy (wajd) or meditative trance. It often features poetry centered on divine love and the soul's longing for union with the Creator.

Raï is a genre of Algerian popular music that arose in Oran during the 1920s. It evolved from traditional Bedouin music into a modern, rebellious sound that blends North African rhythmic patterns with Western pop, electronic synthesizers, and funk influences, often addressing social issues and personal freedom.

Gnawa music is a spiritual, hypnotic North African musical tradition characterized by repetitive, trance-inducing rhythms, call-and-response vocals, and the deep, percussive resonance of the guembri. It serves as a bridge between sub-Saharan African roots and Moroccan Sufi mysticism, often associated with healing ceremonies known as 'Lila'.